Leni Riefenstahl: both feminist icon and fascist film-maker
WHERE THERE'S A WILL | The New Yorker
Olympia 1936 - Flame by Leni Riefenstahl
Leni Riefenstahl - Diversionary Theatre
When Leni Riefenstahl Came to Hollywood in 1938 – The Hollywood Reporter
Olympia Part One: Festival of the Nations (1938) - IMDb
▷ Anatol by Leni Riefenstahl, 1936 | Photography | Artsper (847521)
The Wonderful Horrible Life of Leni Riefenstahl - Harvard Film Archive
Leni Riefenstahl | The Discus Thrower (1936) | Available for Sale | Artsy
▷ Die Olympischen Ringe (The Olympic Rings) by Leni Riefenstahl, 1936 | Photography | Artsper (845772)
WHERE THERE'S A WILL | The New Yorker
The Führer's filmmaker – The Denver Post
Leni Riefenstahl - Wikipedia
File:Riefenstahl leni olympia-film gmbh 1936.jpg - Wikimedia Commons
TIME Magazine Cover: Leni Riefenstahl - Feb. 17, 1936 - Actresses - Producers - Movies
How Leni Riefenstahl shaped the way we see the Olympics - BBC Culture
Leni Riefenstahl Archive. Untitled. 1936 | MoMA
Movie Review: Leni Riefenstahl's 'Olympia' -- Impure Politics, Pure Cinema | National Review
Leni Riefenstahl - Jürgen Trimborn - Steve Bach - Books - Review - The New York Times
Leni Riefenstahl: Olympia - Festival of Nations (1936) - YouTube
